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1 |
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Woman from Tokyo |
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5:49 |
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2 |
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Mary Long |
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4:26 |
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3 |
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Super Trouper |
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2:58 |
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4 |
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Smooth Dancer |
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4:12 |
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5 |
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Rat Bat Blue |
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5:27 |
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6 |
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Place in Line |
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6:31 |
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7 |
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Our Lady |
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5:13 |
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Автор обзора: Eduardo Rivadavia |
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Deep Purple had kicked off the '70s with a new lineup and a string of brilliant albums that quickly established them (along with fellow British giants Led Zeppelin and Black Sabbath ) as a major force in the popularization of hard rock and heavy metal. All the while, their reputation as one of the decade's fiercest live units complemented this body of work and earned them almost instant legendary status. But with 1973's disappointing Who Do We Think We Are -- the fourth and final studio outing by the original run of Purple's classic Mark II lineup -- all the fire and inspiration that had made the previous year's Machine Head their greatest triumph mysteriously vanished from sight. Vastly inferior to all three of its famous predecessors, the album revealed an exhausted band clearly splintering at the seams. Except for opener "Woman From Tokyo," which hinted at glories past with its signature Ritchie Blackmore riff, the album's remaining cuts are wildly inconsistent and find the band simply going through the mo
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